Showing posts with label Tom Morgan. Show all posts
Showing posts with label Tom Morgan. Show all posts

Tuesday, January 20, 2026

GL.25.28: Tom Morgan

 



100 Songs: Aaron Bergstrom

GL.25.01: Ilana Bergstrom

GL.25.02: Isabel Vermaak

GL.25.03: Jem Stirling

GL.25.04: Nora Tang

GL.25.05: Tony Schoenberg

GL.25.06: Mario Sanders

GL.25.07: Darrin Shillair

GL.25.08: Scott Lawson

GL.25.09: Erik Kristjanson

GL.25.10: Curt Trnka

GL.25.11: Marisa Plaice

GL.25.12: Max Einstein

GL.25.13: Dillon North

GL.25.14: Darcey Lachtman

GL.25.15: Caseysimone Ballestas

GL.25.16: Ryan Joyce

GL.25.17: Desa Warner

GL.25.18: Claren Warner

GL.25.19: Vikram Joseph

GL.25.20: Kevin Wyckoff

GL.25.21: Sidney Southerland

GL.25.22: Jazzmen Williams

GL.25.23: Megan Swidler

GL.25.24: Carl Anderson

GL.25.25: Matt Jasinski

GL.25.26: Tom Flanagan

GL.25.27: Mary Pero

GL.25.28: TOM MORGAN


***


There is still beauty to be found in this world! In the cracks of light between the algorithms. There is still art bursting through the droning hum that desensitizes. In the crevices between our burnt out brains, something exciting still resonates. There are still hips to be swayed and shoulders to shimmy! In the refreshes between our doom scrolls, there are moments of creativity and awe. Someone reaches a height at the very moment we doubted they would climb again. In between the valleys, there is a new peak! And a silence, not unnerving but full. There is a whole rest, not a down beat. And then a modulation that lifts us. In the broken pieces there is a moment of understanding and forgiveness. Of moving on. In the moments of self awareness of the person in the mirror, there is the release of letting go to the performer. There are primal moments. Self-judgement left abandoned at an altar to music. It’s not a cry for help but a declaration of hope. Create! Absorb! Languish! Heal! Be inspired! There is still beauty to be found in this world!


Below are 30 tracks that showed me those glimpses - started with the most powerful moments of awe. “Reliquia” hit me like a beam of light as Roaslia lamented the broken pieces of herself around the globe. Gaga showed that she could still make an all-time dance-pop anthem with “Abracadabra.” Oliva Dean breathed a fresh and timeless breath into the airwaves with “Man I Need.” Twigs took us to the ball with “Sushi.” Tate assumed a pop sex-pot mantle in a way we’ve only seen from Britney. There were new names to me in the form of Eli, Amaarae, Rochelle Jordan, Audrey Hobert. And returns from some of my all-time faves, including The Clipse, Taylor (finally, a song you can throw ass to), Robyn, Kehlani and more … Not bad, 2025!

Sunday, January 8, 2023

GL.22.22: Tom Morgan

 

22 of ‘22

Well, it’s been another strange one, folks! Some of our biggest global music superstars have re-ascended to their “post-pandemic” pop pantheon thrones as tours became possible and blockbuster albums like Renaissance and Midnights dominated worldwide attention. While Gaga, Bey and Taylor had monumental years like it was 2013 again, some of my other [former] favorite artists of all time also fell completely out of favor, at best, or just went full fascist. K**** was once my favorite artist and now spends his time creating incel-fuel and fascist talking points while his storied industry-foe has the greatest year of her career. Similarly, Ryan Adams is releasing music that no one cares about while the women he abused reach new heights of artistry and popularity, leaving him without relevancy and in the financial dust. Dr*ke is taking lyrical cheap-shots at Meg regarding the literal ones she suffered and yet she closed out the year fully vindicated through legal cases and leading into a new record deal that will surely propel her even further into super-stardom (her Coachella set on the main stage was NEXT level - I can’t even express it). Misogyny abounds in 2023 and yet the ladies keep winning. We absolutely love to see it.

Other than all of that mess, it was a great year for music. I got to DJ a lot of very fun parties and share my love of music with a lot of you wonderful folks. I saw a lot of incredible live performances that reinvigorated my passion for attending shows. Coachella and Primavera Sound were both major highlights, as was singing along to many of these songs in my basement in Amsterdam with you beautiful people.

As far as criteria here, I wanted to avoid Miss Giselle Knowles Carter from carrying spots 1-16, so I’m limiting the list to one track per album. Hope you enjoy!

Friday, January 7, 2022

GL.21.14: Tom Morgan

 


100 Songs: Aaron Bergstrom

GL.21.01: Ilana Bergstrom

GL.21.02: Curt Trnka

GL.21.03: Remko Van Knippenberg

GL.21.04: Erik Kristjanson

GL.21.05: Marisa Plaice

GL.21.06: Lukas Brooks

GL.21.07: Desa Warner

GL.21.08: Garrett Bukunt

GL.21.09: Dillon North

GL.21.10: Ryan Joyce

GL.21.11: Shay Corbett

GL.21.12: Nick Leddy

GL.21.13: Ryan Joyce (Part Two)

GL.21.14: TOM MORGAN


***

Jazmine Sullivan “Girl Like Me” (feat. H.E.R.)


A true goddess of singing and storytelling, Jazmine’s Heaux Tales album was a highlight of the year and most songs could have made this list (“Lost Ones” made the 2020 list). This track features H.E.R. who took the challenge of matching runs (and did!!). It’s a lament of not being enough in a world of impossible standards and the urge to just give in and be somebody else in order to measure up. “Still don’t know what I was missing / what you asked I would’ve given”


MUNA - “Silk Chiffon” (feat. Phoebe Bridgers)


A perfect pop song. Phoebe was my most listened to artist from 2021 despite not releasing an album this year. This song is a slight-departure from her sad girl vibes, which made it even more exciting of a listen


Caroline Polachek - “Bunny is a Rider”


A perfectly produced pop puzzle.


Joel Corry - “Sorry”


Not a big fan of producers not crediting their singers on tracks like this (shout out to Denzie) but in a year where his tracks dominated the good times, this was my favourite. Fully 90s Brit house joy, it was the song that I envisioned in my head when I manifested BOPS and the moment lived up to the joy. A true moment of pop ascension in my life.


Adele - “I Drink Wine”


Lamenting that she was once absorbed by the wonders of the world as a child, but now she only soaks up wine. Seeking a life with substance and perhaps less substances. She has a way of writing lines so simple and powerful that I’m able to understand that classic songs were once new songs. “I hope I learn to get over myself / stop trying to be somebody else” is one of those moments where you stop, stare into the abyss and feel it.


City Girls - “Twerkulator”


Taking me back to “Perculator” school dance days, JT and Caresha interpolate the dance groove into an ass-shaking anthem. It gave us the best thing to scream at a party - or in any setting really: “YUNG MI-AMI YEAH BITCH IM FROM THE CITY!” 


Charli XCX - “New Shapes” (feat. Christine and the Queens, Caroline Polachek)


A mini gay-Avengers moment. A great lyric with three unique deliveries that could not be more defining of each pop gal’s style - “Charli, Caroline, Chris what you want what you want”


Rina Sawayama - “Lucid”


A shot or pure pop adrenaline that showed Rina’s true Little Monster nature.


Tyler, the Creator - “JUGGERNAUT”  (feat. Lil Uzi Vert & Pharrell)


Blast the fucking bass! Pharrell hasn’t excited me like this production wise in a long time 


Billie Eilish - ‘Oxytocin”


Billie and Finneas getting dark and grimy is a revelation. Doing things so narsty that God has to look away because she wouldn’t approve? And because she would only want to get involved if she watched? Ma’am.


Rostam - “From the Back of the Cab”


Stealing an extra hour together, extending a connection that is doomed to end with daylight, fighting the sleep. Head on the shoulder on the way to the airport. There is something so familiar and queer about the picture painted. Falling deep and quick, while the track conveys a machine-like progression - a reminder that things are moving forward, as they do.


Kim Petras - “Future Starts Now”


Yes, she’s still working with him and yes I hate it but the bops never miss. Here’s to hopes of a new production partner in the future - starting now!


Victorian Monet, Khalid, SG Lewis - “Experience”


SG’s domination of 2021 tracks continues as the three combine to create the smoothest of vibes.


Lady Gaga - “Free Woman” (Rina Sawayama & Clarence Clarity Remix)


There is a certain part of my brain that activates emergency serotonin when Rina scream “ANNNNNNND IM FREEEEE” to round out this queer woman pop power collab. It was the transition song at BOPS between our two sets bc it captured what the event was all about :)


SG Lewis - “Impact” (feat. Robyn & Channel Tres)


The SG supremacy continues.


Normani - “Wild Side” (feat. Cardi B)


The Normani situation is an interesting one: immense pressure to release a first album with a fanbase that seems ready to stan to the highest degree, yet no major hits. Another one-off here, Wild Side showed that she’s more interested in the RnB - rather than pop/hip-hop route - along the lines of the sampled Aaliyah. More than any other song on this list, this one has to be accompanied by the video - which is one of my favorites of the year.


Doja Cat - “Get Into It (Yuh)”


First listen: WTF is this and what is wrong with her? Second listen: this is terrible, why is her voice doing that? Third listen: I MEAN YALL BITCHES BETTER YUH LIKE ARIANA!!!


Agnes - “XX”


The lyrics are a mantra of self-expression and praising our own existence, leaving behind any element of trying to be anyone other than who you are meant to be - time to speak the truth!


Olivia Rodrigo - “Drivers License”


A seismic smash from the new ingenue. From the car noises that punctuate the production to the surprisingly emotive and anthemic chorus and bridge, it’s just a really really good song and I still fucking love it, babe.


Go_A - “SHUM”


An unusual Eurovision entry that feels like an increasingly intense experience in a Ukrainian dungeon rave. I was lucky enough to see this song performed live (multiple times in a row) at a Eurovision show, in a year where live music performances were rarities. The fury that this song builds to at the end was one of my favourite DJ moments of BOPS!


VINCINT - “Higher” (feat. Alex Newell, Princess Precious)


Summer 2021’s gay bop!


Ashnikko - “Slumber Party” (feat. Princess Nokia)


Let’s call it hip-hyperhop.


Drake - “7am on Bridle Path”


A consistent part of Drake’s career are his time/location based tracks where he spits relentlessly for 4+ minutes and it’s my favorite form of the fan favorite’s flow.


Tinashe - “Bouncin”


A video of trampolining? We will be supporting that!


Priyanka, Lemon - “Come Through”


Did we expect the nerdy Canada’s drag race contestant to drop the most viral verse of ‘21? We did not but Lemon sure did deliver!


Dawn Richard - “Jacuzzi”


This whole Second Line album goes off!


Dijon - “Many Times”


There’s a bit of bizarre stutter-percussion that almost threw me off but ended up being the thing that pulled me in here.

Thursday, January 7, 2021

GLW.20.25: Tom Morgan

 

GLW.20.01: Ilana Bergstrom

GLW.20.02: Curt Trnka

GLW.20.03: Remko Van Knippenberg

GLW.20.04: Jem Woodward

GLW.20.05: Erik Kristjanson

GLW.20.06: Marisa Plaice

GLW.20.07: Russell Abdo

GLW.20.08: Garrett Bukunt

GLW.20.09: Megan Swidler

GLW.20.10: Garrett Tillman

GLW.20.11: Scott Lawson

GLW.20.12: Carl Anderson

GLW.20.13: Ryan Joyce

GLW.20.14: Nick Leddy

GLW.20.15: Desa Warner

GLW.20.16: Tony Schoenberg

GLW.20.17: Kim Dickson

GLW.20.18: Lukas Brooks

GLW.20.19: Lucas Posada

GLW.20.20: Ben Evangelista

GLW.20.21: Shay Corbett

GLW.20.22: Nicole Sabes

GLW.20.23: Jamie Pfeifer

GLW.20.24: Dillon North

GLW.20.25: TOM MORGAN

BOOKS: Chris MacDonald

2020: Guest List Week Year in Review


***


The songs that got me through 2020. Some resonated because they offered a unique perspective and timely message - maybe even wisdom - in a year that challenged my suitcase-toting lifestyle, and my mental well-being, like no other. Some represent stolen moments: clearing space in the gay club in Amsterdam, rapping along with friends in LA, driving down a North Carolina back road in summer with the windows down. While these moments remain inevitable, a previously unimagined gratitude for their hypothetical existence fills me now. When escape wasn’t possible in 2020, these songs often represented the only way to blast off - whether it was to the planet of Chromatica, the folklore/evermore forest, the disco dancefloor, or just a dark room meant for quietly sobbing! :) Without further ado, my top songs of 2020:


1. Lady Gaga - “Rain on Me” (feat. Ariana Grande)


I’m sure it’ll come as no surprise that this song sits atop my list if you’re a friend. I wanted to be clever and not pick the obvious one but out of everything on this list, this track brought the most joy and excitement to my life in 2020. An iconic pop match-up of two larger-than-life weirdos both in the heights of pop stardom but also working through some incredibly tough shit in their lives. They really concocted this one in the Haus lab to be pop perfection - with Bloodpop and a team of producers/writers taking credit - but, regardless, the sentiment of weathering a storm from these two still rings true. The video. The choreo. The VMA performance. The start of Ari’s 2020 whistle-dom. When I tell you that I will weep seeing this live for the first time - I MEAN IT. Here’s to a little bit less rain in 2021 until then.


2. Romy - “Lifetime”


Jamie has always taken the post XX spotlight but it’s finally Romy’s turn! She describes this song as a love letter to the energy and community of connecting with loved ones in a club but more specifically about her and her girlfriend. “If you’re ever lonely, if you can’t find the way, if this world comes to an end - I wanna be there with you.” Well, guess what MIM!?!


3. Taylor Swift - “happiness” 


A song about maturity and coming to terms with two good people hurting one another. And where does that leave you? Arriving at the end of 2020, we were certainly still right down in it with this villain-of-a-year, but perhaps with some hindsight - once we’re above the trees - we’ll understand that there was still happiness because of this godforsaken year and there’ll be happiness after it, too.


4. Chloe x Halle - “Lonely” 


A production team-up from Scott Storch and Dutch producer Avedon, this was the track from CxH’s iconic Ungodly Hour album that ruled the year, with the sisters taking the crown for quarantined live performances. “Who are you when no one’s watching?” the song asks. “You close the door to your apartment - are you afraid of the silence? Are you afraid of what you’re finding?” Aggressively on-target for a year where we had nothing but time to sit with ourselves. I’d place an emphasis on the “had” in “I had to learn to love me lately.” Ultimately the conclusion that “it don’t have to be lonely being alone” is a reassuring - if not aspirational - place to land.


5. Rina Sawayama - “Bad Friend” 


This song started out resonating with me in early quarantine days, looking back on better days (sweaty rooms of best friends screaming Carly lyrics), but it grew to hold a different meaning as well. This year presented challenges for maintaining relationships that we hadn’t encountered before. How do we connect when we can’t see one another? Or when we just don’t have the mental energy to interact? My go-to mode in times of crisis is to make a to-do list, including making sure everyone is taken care of before myself. This year brought a new experience of running out of that energy because I needed to turn it inward. It was great to hear Rina (my fave artist of the year) articulate the anxieties that came about as we tried to stay together with our friends while often being in the middle of falling apart, barely lucid. I spent so much time in a loop of not having the energy to be “a good friend” but having anxiety over being a “bad friend.” In the end, I feel like we reached new levels of honesty, compassion and understanding that I hope can carry us forward from here. Thanks, Miss Sawayama :)


6. Christine and the Queens - “People, I’ve been sad” 


A title that could easily be on the 2020 tombstone. In a year full of missing out - FOMO of a life once known and somehow still in the social sense - I just found it so important to declare the funks and sadness. “If you disappear, then I’m disappearing too,” or rather - I know things couldn’t be worse right now but you’ll get through this part and you better hold up your end of this shit because I’m going to want to fall apart real soon and I need you there then. You know the feeling?


7. Ariana Grande - “nasty” 


Ar-n-B Grande is my favorite and she gave us a surprise full-album genre deep dive this autumn. By far her best vocal album (saying sumn!!). This grown-n-sexy track calls back to the 90s and probably has some shocking lyrics for those unfamiliar with there being a freak underneath that high pony. The bridge is to die for, too.


8. Caroline Polachek - “So Hot You’re Hurting My Feelings” 


Out in 2019, it was still my most played Spotify song of 2020 so she has to make the list! Those layered vocals mmhmm.


9. My Marianne & Will Ferrell - “Husavik (My Hometown)” 


Will Ferrell is the first guy to show up on my list! Very 2020. The emotional and vocal apex of a fun film where it all comes together (her secret song! Breaking the ESC rules! The legendary note at the end! Singing in Icelandic!). “Where the magic nights surpass all others” might be my favorite sung phrase of the year. This film and song lessened the blow of ESC being canceled ever so slightly.


10. Drake - “Laugh Now, Cry Later” (feat. Lil Durk)


From the same producer as “God’s Plan,” this breezy drop from Drizzy reminded me so much of his earlier horn-synth tracks produced by 40.


11. Agnes - “Fingers Crossed” 


The minor drop into the verses with the pulsing string synths and soaring vocals is one of my fave musical moments of the year.


12. Megan Thee Stallion - “Savage” (Remix) (feat. Beyonce)


The perfect combination of the hottest rapper of 2020, a TikTok sensation, a surprise drop, quotables, and the Queen B. 


13. Kelly Lee Owens - “Melt!” 


I found out about this album when I saw that she was covering “Arpeggi” from In Rainbows and was glad that the trap she set worked. Brilliant production throughout Inner Song.


14. Empress Of - “U Give It Up” 


Somehow both sexy and lumbering, this kind of round bass synth production always draws me in.


15. Jazmine Sullivan - “Lost One” 


SHEW. The woman who invented singing was back with a couple recordings in 2020 and this one is an emotional journey, honey. “Don’t have too much fun without me. Try not to forget about me - try not to love no one,” she pleads while acknowledging the impossibility of the request.


16. Tame Impala - “Lost in Yesterday” 


“If It calls you, embrace it. If it haunts you, face it.” A 2021 mantra indeed.


17. Sada Baby - “Whole Lotta Choppas” (Remix) (feat. Nicki Minaj)


This beat is Afrika Bambaataa shit bananas with a Miami sound and a “Whomp (There It Is)” sample. Look how Nicki ate that!


18. Róisín Murphy - “Jealousy” 


2020’s queen of disco (*ducks*) turned up the heat with this banger. Need heels and dancefloor neeeeyow!


19. Taylor Swift - “this is me trying” 


Representing my fave album of the year, this track is an ode to wasted potential, following your fears and the sinking feeling that you won’t measure up. But if 2020 taught me anything it’s that “at least I’m trying” is good enough sometimes.


20. Rina Sawayama - “Who’s Gonna Save U Now?” 


Sitting nicely atop my “songs I’m dying to hear live” list, this Nu Metal infused anthem represents the most exciting tendencies from her iconic SAWAYAMA album.


21. Yelle - “Karaté” 


This production is most pleasing to me. And of course I have no idea what she’s saying.


22. Diplo & Sidepiece - “On My Mind” 


Can’t help but move - neeeeed cluuuuuubs.


23 (tie). City Girls - “Pussy Talk” / Cardi B - “WAP” (feat. Megan Thee Stallion)


Love it when the ladies get vulgar and it causes an uproar. Conservative pearl-clutching propelled the ladies into cultural moments in 2020 - love to see it.


24. BLACKPINK - “Lovesick Girls” 


I typically love these ladies most when they’re doing trap/KPOP genre benders but this high-octane pop moment stuck with me the most from THE ALBUM. Their documentary this year was also a fascinating look into the creation and life of KPOP groups.


25. Travis Scott - “HIGHEST IN THE ROOM” (Remix) (feat. ROSALÍA, Lil Baby)


Hoping that next year’s list has much more ROSALÍA, but one of my favorite times she popped up was her doing Travis’ iconic ad libs (“STRAIGHT UP!” “IT’S LIT!”) and a Weezy “Lollipop” call-back.


26. Rudimental - “Come Over” (feat. Anne-Marie & Tion Wayne)


A verboten request in 2020 but I love this 90s-UK-house-inspired bop!


27. Young T & Bussey - “Don’t Rush” (Remix) (feat. Busta Rhymes)


In true 2020 fashion, this Afroswing track from a British rap duo featuring an iconic American rapper sparked a makeup-transition TikTok challenge (??). Anyway, just whine.


28. LÉON - “In a Stranger’s Arms” 


Signature rasp and a nice little slice of life: losing someone but realizing that the process of healing is a tale as old as time and you will make it through the tunnel. 


29. Sam Sparro - “THE PPL” (feat. Maluca)


Sam’s new album was like an injection of all the best 90s genres, specifically New Jack Swing, RnB and house and I can’t wait to dance with the PPL again!


30. The Killers - “Lightning Fields” (feat. k.d. lang)


Being in the discussion for my fave all time band, their new material will always get a listen. Happy to report that their newest album was pretty great! I love this one and the k.d. feature seems so random but sounds so perfect. In a verse where Brandon cannot sleep with the negative voices in his head, she comes in to encourage him to give himself some credit. A novel idea for myself in 2020, but one with much improvement. May we have more of that voice in ‘21!


+ 30 other favorites in the playlist here but I couldn’t write them all up - enjoy!!!